“There is something viscerally disturbing about a woman being drawn along like a sled by a team of babies, still tethered to her womb by umbilical cords. Casual familiarity with the Inuit is enough to understand the historic importance of dog sleds to their lives, and some may know that snowmobiles have overwhelmingly replaced dog sleds as the main mode of tundra transit. But what goes woefully unacknowledged is the vicious extermination of hundreds of sled dogs by the Royal Canadian Mounted Police, who traveled the Arctic in the 1950s and 1960s, murdering whole teams of sled dogs. This systematic slaughter left a collective trauma shared by many Inuit, a violent break with traditional lifeways enforced by agents of colonial administration. It is difficult to discern the meaning of the children in place of the dogs – is it meant to convey that the Inuit continue regardless?”
Note: While this is a review of the book “Arctic Dreams and Nightmares,” a collection of art and accompanying short stories by the late Inuk artist, Alootook Ipellie, we are also taking a look at Ipellie’s larger body of work, and the significance of his contribution to Inuit art and political comics in general.
“Arctic Dreams and Nightmares” originally published by Theytus Books, was Ipellie’s largest collection of published political cartoons outside of Arctic newspapers and magazines. The book is currently out of print.
The title “Arctic Dreams and Nightmares” is a woeful summation of this haunting journey through the imagination of a man who seems to have been, as the title suggests, a dreamer. But within modern memory, it is an easy thing to understand how any Inuk’s dreams might turn to nightmares.
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